Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Lorenzo Monaco
Christ in the Garden The Women at the Sepulchre Wings of a triptych (mk05)

ID: 19990

Lorenzo Monaco Christ in the Garden The Women at the Sepulchre Wings of a triptych (mk05)
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Lorenzo Monaco Christ in the Garden The Women at the Sepulchre Wings of a triptych (mk05)


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Lorenzo Monaco

Italian c1370-c1424 Lorenzo Monaco Gallery was a Florentine painter. He joined the Camaldolese monastery of Santa Maria degli Angeli in Florence in 1391, but he left monastic life before making a lifetime commitment. Despite this fact, he has traditionally been called "Lawrence the Monk." His work shows the influence of the International Gothic style of the late fourteenth century, as well as that of the Sienese school.  Related Paintings of Lorenzo Monaco :. | The Annunciation | Christ in the Garden The Women at the Sepulchre Wings of a triptych (mk05) | The Banquet of Herod (mk05) | The Annunciation with Saints Catherine,Anthony Abbot,Procolo,and Francis | Virgin and Child Enthroned with Sts John the Baptist and John the Evangelist |
Related Artists:
Josep Morell Macias
Spain (1899- 1949 ) painted Arreglant-se per anar a ballar in 1882
George Hayward
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Frederick Goodall,R.A
1822-1904 Painter, son of (1) Edward Goodall. He was taught by his father and first exhibited at the Royal Academy in 1838. His earliest subjects were rural genre scenes and landscapes, many derived from sketching trips made between 1838 and 1857 in Normandy, Brittany, Wales, Ireland, Scotland and Venice. In the 1850s he also painted subjects from British history. More significant for his subsequent career was his visit to Egypt from September 1858 to April 1859. In Cairo he lived in a house in the Coptic quarter with Carl Haag. Together the two artists went on expeditions to Giza to draw the Nile, the Sphinx and Pyramids, and to Suez and across the Red Sea to the Wells of Moses at 'Uy?n M?sa. Goodall also made rapid sketches in the crowded streets of Cairo. 'My sole object in paying my first visit to Egypt', he wrote, 'was to paint Scriptural subjects' (Reminiscences, p. 97). The first of these, Early Morning in the Wilderness of Shur (London, Guildhall A.G.), was exhibited at the Royal Academy in 1860 and won him critical and popular acclaim. In 1864 he was elected RA. Much of the rest of Goodall's long career was devoted to painting similar scenes of Egyptian life with biblical associations, for which he made reference to his sketches and to Egyptian artefacts and clothing.






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